Research Oriented Essay Season, Nature And Wandering through Nostalgia in Corina Junghiatu's Poetry, Author - Dr. Manoranjan Das

Season, Nature And Wandering through Nostalgia in Corina Junghiatu's Poetry

Dr. Manoranjan Das 

      Corina Junghiatu, the coexistent poetess of Rumania cultivates poetry in such a way that  season is multifaceted, encompassing its natural, agricultural, and cultural importance. It is a cyclical division of the year defined by the Earth's axial tilt, influencing weather patterns and plant and animal life. Seasonality is also crucial for agrarian societies, impacting farming practices, and holds deep cultural and religious significance through festivals, rituals, and symbolic meaning, 
and, seasons are defined by the regular changes in atmospheric conditions that occur as the Earth orbits the sun, with the 23.5-degree tilt on its axis being the primary cause, and, therefore, this tilt determines how much sunlight each hemisphere receives, leading to variations in temperature and day length. She has the syllable of rain to her heart through the mist of emptiness that is crowned too. Thus she writes.

'Tears drip from the syllables of rain
Onto the prison bars of branches.
Cloaked in grey shrouds,
Whie metaphorical mists hang in emptiness,
like triumphal arches
drapped in a cripuscular veil,
unraveled from the crowns of trees.'1

          Earnestly speaking, Cornia Junghiatiu confirms that   the change of seasons is often marked by cultural and religious festivals and rituals, which are frequently tied to the cycles of nature, seasons can hold deeper symbolic meaning in different traditions, representing life stages, spiritual journeys, or the divine order. She impresses through his poetry that the leaves are covered with silver frost and grasses are attched to echoes through the wind in shadows. Thus, she writes,

'Blood-red rubies and blonde apals
are engraved in the bronze of leaves,
flowers burn in the silver cup of frost,
an apple with core of light
hangs from branch,
while waxen grasses,
arranged like honeycombs ,
sway in the foam of the wind
that echoes through shadows.'2

             Corina Junghiatu, an acclaimed  poet from Bucharest, Rumania, a renowned for her profound litarary contributions. She holds a master's drgree in Philology and Psychopedology from the university of Bucharest , Multilingual; Cornia is proficient in five foreign languages, enhancing her literary scope. She has published  two poetry collections : ' Exile in Light,' and 'The Ritual of Sunrise.' She has earned the Gujrat Sahitya Academi Award, Order of Shakespeare Medal, Sahitya Patra Award etc. She is the editor-in-chief of ' 'Versium' magazine and the Chief Adviser for the World  Nations Writers' Unoin in Kazakhstan.

        Believeably speaking, Corina Junghiatu potentialises through thought that seasons emphasize the cyclical relationship between nature and spiritual practices, and, traditions, specific seasons dictate appropriate times for religious practices and social conduct. Thus, she gloriously feels,

      'Season refers to a period of time when specific goods are in vogue or available, such as the back-to-school season.
        
 The concept of in season is used for legal and ethical reasons, such as regulating hunting of time to protect species during specific times of the year.'3
        Owingly speaking, Corina Junghiatu entangles that nature is important because it provides essential resources for survival, regulates the climate, supports biodiversity, and offers physical and mental health benefits, and, it is the foundation for human life, supplying clean air, water, and food, while also offering cultural, aesthetic, and economic value through its ecosystems and beauty. She asserts importancec on Autumn dusk into the pinky painting and blooded poppies where transparentness is clustered at the nuclear zone of butterflies' wings. Thus, she writes,

'On the shoulders of the sky,
the Autumn dusk is orchestrated
in violet, white, pink, and blue,
a true Byzantine painting
sketched in the hollow of the horizon, from  which bloodied poppies fall,
and compact ,transparent clouds
from the flora pf polar stars
turn into fiery clusters on trays of embers.

Nuclear butterflies from diaphanous sows
announce winter- the prelude to reincarnation.'4

      Mooringly speaking, Cornia Junghiatu confirms that nature provides the air men breathe, the water men drink, and the food men eat, as well as medicinal resources,and, spending time in nature can reduce stress, lower anxiety, improve mood, and encourage physical activity. She has the out line of wandering where light is gracefully endured with profound revelation.
Thus, she writes,

'The poet, a painful outline of an absence,
A wandering celestial in trace
With auroras of lights
Rising from premordial grace,
Too bright to be endured ,
Burns the soul like a ray of sun,
Illuminating us with profound  revelations.'5

         Outwardly speaking, Cornia Junghiatu encourages her that exposure to green spaces can improve concentration, reduce mental fatigue, and foster a sense of purpose and vitality, and,
forests, oceans, and wetlands act as carbon sinks, absorbing greenhouse gases and mitigating climate change. She introduces,

   'Natural systems perform vital services like water filtration, soil formation, and nutrient cycling.
     
A diverse range of species makes ecosystems more resilient to environmental shocks and better able to adapt to change.'6


       Unoffendingly speaking, Cornia Junghiatu means that wandering through nostalgia can refer to a state of mind where you mentally revisit past memories, a coping mechanism for feelings of loneliness or stress, or an artistic work like a song or album,and, it's a common human experience that can be a source of comfort and identity but can also become an issue if it prevents you from engaging with the present. She has the enchanting of verse which is mingled with spendours through slowness.Thus she writes,

'He speaks in the language of enchanted flow
And his verse cries out
Like a violin of rains
In the silence of the world,
Letting nostalgia burn within us,
With splendours of a sonnet and mystical metaphors,
Like a slow poison,
Gilded in ether dust'.7


         Devotingly speaking, Cornia Junghiatu charms that modern psychology views nostalgia as a healthy emotional resource that can help people cope with negative feelings, stress, or a sense of disconnection in the present , and, it can foster a sense of personal continuity and connection to one's past self. She adjures that the initiating through modesty is dipped to the metaphysics with truth and silence.Thus, she writes,

'The poet, like an initiate,
Bears the seal of cosmic modesty,
Like an angel dressed in rags of gold.
With the tip of his pen dipped in metaphysical abysses,
He seeks answers,.
For the seeking lies the truth,
And in the silence of the question.'8


       Ensuringly speaking,  Corina Junghiatu admires the beauty attaching with the relation among men where seasn, nature and wandering through nostalgia are outwarded widely.

References
1. Autumnal Illusion, Cornia Junghiatu,  'International Bilingual Poetry' translated and edited by Md Ejaj Ahamed, Dream Raft Publication, Aurangabad, Murshidabad, W.B., India, Pin-742201; 2025, P-46,
2. Ibid;
3.Significance of Season, www.net;
4.As No.1;
5. Celestial in Trance; Cornia Junghiatu;
Add.As No.1; P-194;
6.Significance of Nature; www.net;
7.As No.5;
8 lbid.
***All Help- Md Ejaj Ahamed, Ed.The Raft of Dreams Literary Magazine, All Issues;